Hiroko Terasawa
寺澤洋子


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Selected Publications

PhD Thesis

Hiroko Terasawa: "A Hybrid Model for Timbre Perception: Quantitative Representations of Sound Color and Density."
PhD Thesis, Stanford University. (2009) [PDF]

Journal and Book Articles
  1. Masaki Matsubara, Takahiro Oba, Hideki Kadone, Hiroko Terasawa, Kenji Suzuki, Masaki Iguchi: "Wearable Auditory Biofeedback Device for Blind and Sighted Individuals." IEEE Multimedia, Vol. 22, No. 1, pp. 68-73. (2015) [PDF]
  2. Sungyoung Kim, Teruaki Kaniwa, Hiroko Terasawa, Takeshi Yamada, Shoji Makino: "Inter-subject differences in personalized technical ear training and the influence of an individually optimized training sequence." Acoustical Science and Technology, Vol. 34, No. 6, pp. 424-431. (2013) [PDF]
  3. Hidefumi Ohmura, Takuro Shibayama, Hiroko Terasawa, Reiko Hoshi-Shiba, Ai Kawakami, Miwa Fukino, Kazuo Okanoya, and Kiyoshi Furukawa: "Review of Musical Emotion Studies" The Journal of the Acoustical Society of Japan, Vol. 69, No.9, pp. 467-478. (2013) [In Japanese] [PDF]
  4. Hiroko Terasawa, Reiko Hoshi-Shiba, Takuro Shibayama, Hidefumi Ohmura, Kiyoshi Furukawa, Shoji Makino, and Kazuo Okanoya: "A Network Model for the Embodied Communication of Musical Emotions" Cognitive Studies, Vol.20, No.1, pp.112-129. (2013) [In Japanese with English Abstract] [PDF]
  5. Hiroko Terasawa, Jonathan Berger, and Shoji Makino: "In Search of a Perceptual Metric for Timbre: Dissimilarity Judgements among Synthetic Sounds with MFCC-derived Spectral Envelopes." Journal of Audio Engineering Society, vol. 60, No. 9, pp. 674-685. (2012) [PDF]
  6. Hiroko Terasawa: "Timbre perception." In Encyclopedia of Perception, E. Bruce Goldstein (Ed), SAGE Publications. (2009)
Conference Proceedings
  1. Hiroko Terasawa, Yota Morimoto, Masaki Matsubara, Akira Sato, Makoto Ohara, Masatoshi Kawarasaki: "Guiding auditory attention toward the subtle components in electrocardiography sonification." Proceedings of International Conference on Auditory Display 2015 (ICAD2015), pp. 231-235, Graz, Austria. (2015) [PDF]
  2. Yuki Nakayama, Yuji Takano, Masaki Matsubara, Kenji Suzuki, Hiroko Terasawa: "Real-time smile sonification using surface EMG signal and the evaluation of its usability." Proceedings of International Conference on Auditory Display 2015 (ICAD2015), pp. 152-156, Graz, Austria. (2015) [PDF]
  3. Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Hiroko Terasawa, Reiko Hoshi-Shiba, Kazuo Okanoya, Kiyoshi Furukawa: "Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography." Proceedings of the 40th International Computer Music Conference, pp.637-642, Athens, Greece. (2014)
  4. Teruaki Kaniwa, Hiroko Terasawa, Masaki Matsubara, Shoji Makino, and Tomasz M. Rutkowski: "Electroencephalogram Steady State Response Sonification Focused on the Spatial and Temporal Properties." Proceedings of the 20th International Conference on Auditory Display (ICAD-2014), Lecture session no. 7, Paper no. 1, pp. 1-7, New York, USA. (2014) [PDF]
  5. Masaki Matsubara, Hiroko Terasawa, Rumi Hiraga: "The effect of musical experience on rhythm perception in hearing-impaired undergraduates." IEEE Conference on System, Man and Cybernetics, pp.1666-1669, San Jose, USA. (2014)
  6. Masaki Matsubara, Hideki Kadone, Masaki Iguchi, Hiroko Terasawa, and Kenji Suzuki: "The Effectiveness of Auditory Biofeedback on a Tracking Task for Ankle Joint Movements in Rehabilitation." Proceedings of the 4th Interactive Sonification Workshop, pp. 81-86, Erlangen, Germany. (2013) [PDF]
  7. Shogo Matsukata, Hiroko Terasawa, Masaki Matsubara, and Tetsuro Kitahara: "Muscle activity in playing trumpet: the dependence on the playable pitch region and the experience of a non-trumpet brass instrument player." Proceedings of Stockholm Musical Acoustics Conference 2013, pp. 529-533. Stockholm, Sweden. (2013)
  8. Masaki Iguchi, Masaki Matsubara, Hideki Kadone, Hiroko Terasawa, Kenji Suzuki: "How is auditory EMG biofeedback effective for blind people?" Proceedings of International Conference on Auditory Display 2013 (ICAD2013), pp. 307-310. (2013) [PDF]
  9. Takayuki Hamano, Tomasz Rutkowski, Hiroko Terasawa, Kazuo Okanoya, and Kiyoshi Furukawa: "Generating an Integrated Musical Expression with a Brain Computer Interface." Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 49-54. Daejeon, Korea (2013) [PDF]
  10. Teruaki Kaniwa, Hiroko Terasawa, Masaki Matsubara, Tomasz M. Rutkowski, and Shoji Makino: "EEG Steady-State Synchrony Patterns Sonification." Proceedings of APSIPA Annual Summit and Conference, OS.6-BioSPS.1.5, pp. 1-6. California, USA. (2012) [PDF]
  11. Masaki Matsubara, Hiroko Terasawa, Hideki Kadone, Kenji Suzuki, Shoji Makino: "Sonification of muscular activity in human movements using the temporal patterns in EMG." Proceedings of APSIPA Annual Summit and Conference, OS.6-BioSPS.1.2, pp. 1-5. California, USA. (2012) [PDF]
  12. Hiroko Terasawa, Josef Parvizi, and Chris Chafe: "Sonifying ECoG Seizure Data with Overtone Mapping: a Strategy for Creating Auditory Gestalt from Correlated Multichannel Data." Proceedings of the International Conference on Auditory Display 2012 (ICAD2012), pp. 129-134. (2012) [PDF]
  13. Hidefumi Ohmura, Takayuki Hamano, Tomasz Rutkowski, Hiroko Terasawa, Kazuo Okanoya, and Kiyoshi Furukawa: "Structural Analysis of Responses to Musical Tonality: Commonality with the Neural Processing of Emotion in Language." Evolution of Language - Proceedings of the 9th International Conference (EVOLANG9), pp. 510-511. (2012)
  14. Kiyoshi Furukawa, Tomasz Rutkowski, Takayuki Hamano, Hidefumi Ohmura, Reiko Hoshi-Shiba, Hiroko Terasawa, and Kazuo Okanoya: "Music Performance with 'Imagery Instrument' by Real-time Categorisation of Brain Activities." Proceedings of the 2nd International Conference on Music and Emotion, pp. 46-47. (2011)
  15. Hiroko Terasawa, Yuta Takahashi, Keiko Hirota, Takayuki Hamano, Takeshi Yamada, Akiyoshi Fukamizu, and Shoji Makino: "C. Elegans Meets Data Sonification: Can We Hear its Elegant Movement?" 8th Sound and Music Computing Conference, Padova, Italy. (2011) [PDF]
  16. Teruaki Kaniwa, Sungyoung Kim, Hiroko Terasawa, Masahiro Ikeda, Takeshi Yamada, and Shoji Makino: "Towards a Personalized Technical Ear Training Program: An Investigation of the Effect of Adaptive Feedback." 8th Sound and Music Computing Conference, Padova, Italy. (2011) [PDF]
  17. Takuro Shibayama, Hiroko Terasawa, Hidefumi Ohmura, Reiko Hoshi-Shiba, TAkahuki Hamano, Miwa Fukino, Kazuo Okanoya, and Kiyoshi Furukawa: "What We Listen to with Music: Seeking a General Theory of Musical Emotion with the Aid of the Humanities Perspectives." The Asian Conference on Arts and Humanities 2011, Osaka, Japan. (2011)
  18. Tomoko Yonezawa, Hirotake Yamazoe, and Hiroko Terasawa: "Portable Recording/Browsing System of Voice Memos Allocated to User-relative Directions." Pervasive 2009 Adjunct Proceedings (Demonstration), pp.241-244. Nara, Japan. (2009)
  19. Patty Huang, Jonathan Abel, Hiroko Terasawa, and Jonathan Berger: "Reverberation Echo Density Psychoacoustics." Proceedings of the 125th Audio Engineering Society Convention, Paper Number 7583, pp. 1-10. San Francisco, CA. (2008) [PDF]
  20. Mark Cartwright, Matt Jones and Hiroko Terasawa: "Rage in Conjunction with the Machine." Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07), pp. 224-227. New York, NY. (2007)
  21. Hiroko Terasawa, Malcolm Slaney and Jonathan Berger: "A statistical model for timbre." ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition-SAPA2006, pp. 18-23. Pittsburgh, PA. (2006) [PDF]
  22. Hiroko Terasawa, Malcolm Slaney and Jonathan Berger: "Determining the Euclidean distance between two steady-state sounds." International Conference on Music Perception and Cognition (ICMPC), pp. 42-49. Bologna, Italy. (2006) [PDF]
  23. Hiroko Terasawa, Malcolm Slaney and Jonathan Berger: "The Thirteen Colors of Timbre." Proceedings of IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, pp. 323-326. Mohonk, NY. (2005) [PDF]
  24. Hiroko Terasawa, Malcolm Slaney and Jonathan Berger: "A Timbre Space for Speech." Proceedings of Interspeech 2005-Eurospeech, pp. 1729-1732. Lisbon, Portugal (2005) [PDF]
  25. Hiroko Terasawa, Jonathan Berger and Julius Smith: "Using A Perceptually Based Timbre Metric for Parameter Control Estimation in Physical Modeling Synthesis." Proceedings of International Computer Music Conference 2005, pp.652-655. d Barcelona, Spain (2005) [PDF]
  26. Hiroko Terasawa, Malcolm Slaney and Jonathan Berger: "Perceptual Distance in Timbre Space." Proceedings of ICAD 05 - Eleventh Meeting of the International Conference on Auditory Display, pp. 61-68. Limerick, Ireland (2005) [PDF]
  27. Hiroko Shiraiwa, Rodrigo Segnini and Vivian Woo: "Sound Kitchen: Designing a Chemically Controlled Musical Performance." Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03), pp. 83-86. Montreal, Canada (2003) [PDF]